A grandfather takes his granddaughter into the car and pulls his pants down and it pops out- big and purple;she rears in fright and cries. The father sitting behind says, "she has never reacted liked this before".
Crave, the play by
Sarah Kane, by Theatre Nisha, presents four characters, or perhaps four aspects of human nature all of which are singly, overwhelmingly traumatized by life. It reveals a litany of rape, infidelity, loneliness, familial rejection and childlessness. The characters are embittered and dismayed by an existence over which they have no control.
Thus, read the handout that we were given before we entered the hall in Alliance Francais to watch the play. About 10 of us went to watch the play on friday and came back, some confused, some disappointed. The play is about 4 people and how they are voicing out their inner most thoughts and emotions. It was a neatly done set with only black and white in every element of the set,though I am not sure why that was done; the two men on stage in complete black and the two women in complete white, the floor covered with white and all the walls being black. The play talks about the taboos of everyday life like paedophiles and rape and tries to show the helplessness of individuals under these circumstances, their cries of agony, their moans of distress. It depicts a scene where a grandchild comes home and finds his grandmother in the lap of another man. Its an intense play where it tries to depict the world in all its shades. However the performance did not live up to the play, with some unusually long pauses in places and with the accent of some of the cast being too Indian when it was clear that the play is set in a foreign land, most likely,the US, what with its references to the
little Vietnamese girl who was running for cover with her back burning because of the Napalm bombing with a US fighter jet in the background. The play stood only on the strength of its script with various interesting lines, though disconnected, like
I am not what I am; I am what I do
It almost got me thinking about Hank Rearden in
Atlas Shrugged and his belief that he was what his work was.
It talks about the definitive role of the centre in the geometry of the circle where there is no chicken and egg dilemma as to who came first as it was the centre that came first and then the circle was formed.
I had to fake orgasms before but now I have to fake not having an orgasm
Imagine that...
This and a variety of other interesting lines kept the audience occupied and then suddenly it ended, abruptly with a police cordon drawn across the stage. The abruptness left a lot to be desired.
My favorite line of the play
I suddenly felt ecstatic and then realised that it was only the absence of grief
Nice...
Footnote: It has been stated here that the play is supposed to be American however it has been brought to my knowledge that its not and its actually British. The error is regretted.